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Conversation may be divided into two classes—the familiar and the sentimental. It is the province of the familiar, to diffuse cheerfulness and ease—to open the heart of man to man, and to beam a temperate sunshine upon the mind.—Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which Madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting case, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes,—the sensibilities expand—and wit, guided by delicacy and embellished by taste—points to the heart.,

LITTLE THUMBLING,

During these enquiries a new subject of disturbance broke out in the castle of Mazzini. On the night so fatal to the hopes of Hippolitus and Julia, when the tumult was subsided, and all was still, a light was observed by a servant as he passed by the window of the great stair-case in the way to his chamber, to glimmer through the casement before noticed in the southern buildings. While he stood observing it, it vanished, and presently reappeared. The former mysterious circumstances relative to these buildings rushed upon his mind; and fired with wonder, he roused some of his fellow servants to come and behold this phenomenon.,

They now stepped forward, and applied their strength to the door, when a loud and sudden noise burst from within, and resounded through the hollow chambers! The men started back in affright, and were rushing headlong down the stair-case, when the voice of the marquis arrested their flight. They returned, with hearts palpitating with terror. 'Observe what I say,' said the marquis, 'and behave like men. Yonder door,' pointing to one at some distance, 'will lead us through other rooms to this chamber—unlock it therefore, for I will know the cause of these sounds.' Shocked at this determination, the servants again supplicated the marquis to go no farther; and to be obeyed, he was obliged to exert all his authority. The door was opened, and discovered a long narrow passage, into which they descended by a few steps. It led to a gallery that terminated in a back stair-case, where several doors appeared, one of which the marquis unclosed. A spacious chamber appeared beyond, whose walls, decayed and discoloured by the damps, exhibited a melancholy proof of desertion.

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The buoy swayed and dipped and the wind howled. Suddenly he heard a different sound and turned swiftly to look. There was a boat right off there. Oh, if only!—,

But he could not trust Jerry, and the feeling worried him. When Sunday came around without the return of Mr. Whitney he determined to make a last effort to find out just where Jerry stood. He did not dare risk coming out into the open and asking Jerry what his suspicious movements meant. If Jerry were guilty of wrong-doing, he would at once know that Bob was onto something. In that case it was quite possible that Jerry would fire the first gun before Bob was ready to combat it.,

“Why, John, my boy! Did you?”,

Ferdinand, in escaping from the hands of the banditti, it was now seen, had fallen into the power of his father. He had been since confined in an apartment of the castle, and was now liberated to obey the summons. The countenance of the marquis exhibited a ghastly image; Ferdinand, when he drew near the bed, suddenly shrunk back, overcome with horror. The marquis now beckoned his attendants to quit the room, and they were preparing to obey, when a violent noise was heard from without; almost in the same instant the door of the apartment was thrown open, and the servant, who had been sent for the marchioness, rushed in. His look alone declared the horror of his mind, for words he had none to utter. He stared wildly, and pointed to the gallery he had quitted. Ferdinand, seized with new terror, rushed the way he pointed to the apartment of the marchioness. A spectacle of horror presented itself. Maria lay on a couch lifeless, and bathed in blood. A poignard, the instrument of her destruction, was on the floor; and it appeared from a letter which was found on the couch beside her, that she had died by her own hand. The paper contained these words: